March 4, 2026

A success story from an artist about the Music Industry

The player is loading ...

Show Notes
Transcript

In this episode of the Music Business Newsletter with Matthew Rix, I read an email from an artist who realized something uncomfortable:
For years, they treated music emotionally seriously but operationally casually.
They waited for inspiration.
They released inconsistently.
They aimed for perfection.
And nothing really moved.
Then they made one shift:
They started treating their music like a real project with structure, deadlines, and weekly execution.
No overnight success.
No viral moment.
But real momentum.
In this episode, we talk about:
• Why passion without structure stalls careers
• The difference between being creative and being consistent
• How discipline unlocks growth
• Why “waiting until it’s perfect” kills output
• The operational mindset most artists avoid
• How to move from hobbyist thinking to career thinking
This isn’t about grinding yourself into burnout.
It’s about understanding that execution matters more than emotion.
If you’ve ever felt stuck despite caring deeply about your music, this episode will hit home.
Have a question about the music industry or your career?
Send it to MatthewRix.com, includ ing as many details as possible so your question can help others too.
#musicbusiness #musicindustry #matthewrix #musicindustrysecrets

Listen to Mattrix Minute for daily Music Business insight without the music industry hype.
Spotify
Apple Music
Amazon Music
YouTube

WEBVTT

1
00:00:00.120 --> 00:00:01.360
Hey, this is Matthew Ricks.

2
00:00:01.360 --> 00:00:03.480
And today on the Music Business newsletter, we got an

3
00:00:03.520 --> 00:00:05.200
email from an artist who wants to tell us what

4
00:00:05.280 --> 00:00:08.560
he's learned after he stopped just treating his music.

5
00:00:08.480 --> 00:00:09.320
Kind of passively.

6
00:00:09.359 --> 00:00:10.720
And I'll get to it and when I get to it,

7
00:00:10.759 --> 00:00:15.119
but before we jump into this awesome email, if you

8
00:00:15.160 --> 00:00:16.800
have a question on the music industry that you'd like

9
00:00:16.839 --> 00:00:19.559
for me to answer, just go to Matthewricks dot com

10
00:00:19.559 --> 00:00:22.839
click submit your question, give me as many details as possible,

11
00:00:23.199 --> 00:00:25.920
and we will answer it here on the channel. Now

12
00:00:25.920 --> 00:00:29.359
for the email, he says, Hey, Matthew, I've been listening

13
00:00:29.440 --> 00:00:31.600
to the Matrics Minutes for a few years now and

14
00:00:31.679 --> 00:00:34.320
a lot of what you talk about has helped shift

15
00:00:34.439 --> 00:00:38.320
my thinking. Well that was the whole point in twenty

16
00:00:38.320 --> 00:00:42.479
fourteen when we started twenty four twelve years now. Granted

17
00:00:42.479 --> 00:00:45.280
we haven't done the Matrics Minute, you know, consistently, and

18
00:00:45.399 --> 00:00:47.399
we took some time off at different points in the

19
00:00:47.479 --> 00:00:50.520
last twelve years, but to think, like just said back

20
00:00:50.520 --> 00:00:53.200
and just be like it has been twelve years since

21
00:00:53.200 --> 00:00:56.759
we release that thing. Here's a fun little bit of information.

22
00:00:57.439 --> 00:00:59.960
When I release the Matrics Minute, and I already talk

23
00:01:00.000 --> 00:01:02.000
talked about how I recorded them in my car when

24
00:01:02.000 --> 00:01:04.000
we first started going, I would just talking to my phone.

25
00:01:04.599 --> 00:01:08.239
But we needed an album cover, and I didn't have

26
00:01:08.319 --> 00:01:10.920
a lot of pictures at the time that weren't owned

27
00:01:10.959 --> 00:01:15.760
by somebody else. So I was in like a year

28
00:01:15.879 --> 00:01:19.439
or two prior. I was in New York City at

29
00:01:19.439 --> 00:01:21.879
the Plaza Hotel and I was wearing a suit and

30
00:01:21.920 --> 00:01:25.120
a shirt and I took a picture a selfie by

31
00:01:25.120 --> 00:01:29.079
the elevator for whatever reason, and I was like, let's

32
00:01:29.200 --> 00:01:33.280
use that, and that thing like as it kept growing,

33
00:01:33.359 --> 00:01:38.439
I was like, that picture's horrible. But anyways, he says,

34
00:01:38.439 --> 00:01:41.400
the things I've learned from the Mattricks Minute, especially the

35
00:01:41.439 --> 00:01:46.640
parts about consistency, structure, building relationships, and doing things even

36
00:01:46.640 --> 00:01:48.159
when they don't feel perfect.

37
00:01:48.280 --> 00:01:50.359
So thank you for that, he said.

38
00:01:50.400 --> 00:01:53.439
I wanted to write in let you and your viewers

39
00:01:53.519 --> 00:01:56.799
know something I've been wrestling with recently that finally clicked

40
00:01:56.799 --> 00:02:01.159
for me after way longer than it should have. He says,

41
00:02:01.159 --> 00:02:05.560
for years, I treated my music like a side thing, emotional, meaningful,

42
00:02:05.680 --> 00:02:09.520
but incredibly unstructured. If I had time, I worked on songs.

43
00:02:09.599 --> 00:02:13.560
If I didn't, I didn't it felt if it felt

44
00:02:13.560 --> 00:02:15.960
good that day, I wrote it. If not, I waited

45
00:02:15.960 --> 00:02:19.400
for inspiration. I treated every release like something that had

46
00:02:19.439 --> 00:02:23.039
to be perfect, which meant nothing ever really got finished.

47
00:02:23.560 --> 00:02:29.240
I stayed emotionally serious about music, but operationally casual. That's

48
00:02:29.240 --> 00:02:33.400
a good line right there. I stayed emotionally serious about

49
00:02:33.479 --> 00:02:35.919
music but operationally casual.

50
00:02:37.120 --> 00:02:39.719
How many things in our lives could we have that about.

51
00:02:39.800 --> 00:02:42.400
I mean, you know, if you're married, if you're like, yeah, emotionally,

52
00:02:42.479 --> 00:02:44.719
I was really invested, but I just didn't really care.

53
00:02:44.919 --> 00:02:48.520
It's kind of checked out. Netflix is more important than

54
00:02:48.560 --> 00:02:51.280
my significant other. Same thing with going to the jym,

55
00:02:51.719 --> 00:02:57.719
eating healthy. You're building your career in music, he said.

56
00:02:57.719 --> 00:02:58.879
Then something changed.

57
00:02:59.599 --> 00:03:02.120
I wrote it article where someone said that once they

58
00:03:02.120 --> 00:03:07.360
added structure, time blocks, real deadlines, and actual deliverables, everything

59
00:03:07.400 --> 00:03:10.400
in music, in my music life started to move differently,

60
00:03:11.280 --> 00:03:15.439
he said, not necessarily faster, but cleaner and more intentional.

61
00:03:15.879 --> 00:03:19.599
It wasn't about creativity happening on demand. It was about

62
00:03:19.719 --> 00:03:24.319
execution happening period. And then I found the matrics minute

63
00:03:24.319 --> 00:03:29.039
on a random Google search. Thank you, So you know

64
00:03:30.000 --> 00:03:33.240
what happened when you got your structure was that it

65
00:03:33.360 --> 00:03:39.639
was I think sometimes as a creative we can push

66
00:03:39.680 --> 00:03:41.479
it I'm not feeling it, but I gotta I gotta

67
00:03:41.520 --> 00:03:41.719
do it.

68
00:03:41.719 --> 00:03:42.680
It's like almost like you're.

69
00:03:42.560 --> 00:03:45.400
Just checking it off the list, and that can be

70
00:03:45.479 --> 00:03:48.360
kind of burn in something. But if you're always sitting

71
00:03:48.360 --> 00:03:51.280
around just waiting for inspiration, it's never going to come.

72
00:03:53.479 --> 00:03:56.360
What happened is is it's like it's almost like buying

73
00:03:56.439 --> 00:03:59.080
fake plays for Spotify. You'll just see a spike and

74
00:03:59.159 --> 00:04:03.800
then you'll just see that. It's like you keep crashing out.

75
00:04:04.000 --> 00:04:06.960
So if every day you commit to doing something, which

76
00:04:06.960 --> 00:04:09.360
is what I tell artists on these music newsletters and

77
00:04:09.400 --> 00:04:12.039
everything is like at night, just commit to building your

78
00:04:12.080 --> 00:04:16.399
fan base. Just commit to posting. You know, if you're

79
00:04:16.399 --> 00:04:20.120
writing music, commit just time. Most of the stuff you're

80
00:04:20.120 --> 00:04:22.399
gonna write, no one's ever gonna hear. Most of the

81
00:04:22.439 --> 00:04:25.600
stuff you write tomorrow will not see the next day.

82
00:04:25.639 --> 00:04:27.360
But you got to just put your reps in. It's

83
00:04:27.399 --> 00:04:31.439
like anything nothing in life is going to be excellent

84
00:04:31.519 --> 00:04:34.079
for you if you don't practice at it, if you

85
00:04:34.199 --> 00:04:37.800
don't do the things that the other people refuse to do.

86
00:04:38.160 --> 00:04:40.519
When we are going out in twenty fourteen, twenty fifteen,

87
00:04:40.519 --> 00:04:43.839
we're doing these speaking events, traveling the world, I would

88
00:04:43.920 --> 00:04:46.600
always commend the artists who showed up, and it's because

89
00:04:46.680 --> 00:04:50.639
you did what the others made excuses that they couldn't do.

90
00:04:51.839 --> 00:04:55.680
Winners do the stuff that the losers refuse to do.

91
00:04:56.800 --> 00:04:59.079
It's just the way it is. That's like anything in life.

92
00:04:59.160 --> 00:05:01.600
If you don't show up, you're not going to succeed,

93
00:05:04.079 --> 00:05:06.199
he says. For the past few months, I've started treating

94
00:05:06.240 --> 00:05:09.600
my music career like a project with a timeline instead

95
00:05:09.639 --> 00:05:13.680
of an emotion with no calendar. I do things like

96
00:05:13.959 --> 00:05:17.439
schedule time every week for writing instead of waiting for inspiration.

97
00:05:18.160 --> 00:05:23.199
Beautiful and let me let me add here. When you're

98
00:05:23.240 --> 00:05:26.639
scheduling time to write and you write, it doesn't have

99
00:05:26.720 --> 00:05:29.040
to be great. Just get it out there because it

100
00:05:29.120 --> 00:05:31.480
might be. You might You might spend all night working

101
00:05:31.480 --> 00:05:33.040
on one line and be like, well, that was a

102
00:05:33.079 --> 00:05:35.560
waste of a night. But then a month later you'll

103
00:05:35.560 --> 00:05:37.639
come back to it, or you'll need that line, and

104
00:05:37.680 --> 00:05:40.720
then instantly things will things will just take off from

105
00:05:40.800 --> 00:05:43.759
that one night that you didn't really see any progress,

106
00:05:44.279 --> 00:05:46.680
he says. I set release deadlines and stick to them

107
00:05:46.720 --> 00:05:51.000
no matter what perfect he goes. I plan social promo

108
00:05:51.480 --> 00:05:52.319
show routes.

109
00:05:52.839 --> 00:05:53.240
He goes.

110
00:05:53.480 --> 00:05:58.120
I plan social promo show routes weeks ahead instead of

111
00:05:58.199 --> 00:06:02.560
randomly posting when I feel like it. I mean, all

112
00:06:02.600 --> 00:06:05.000
that stuff is available for you to schedule, so you

113
00:06:05.000 --> 00:06:06.759
don't have to just like randomly do it.

114
00:06:06.759 --> 00:06:08.839
You can come up with a consistent plan.

115
00:06:09.639 --> 00:06:12.439
He said, break big goals into weekly small actions, and

116
00:06:12.480 --> 00:06:14.040
I can actually finish.

117
00:06:14.319 --> 00:06:16.560
This is awesome, my guy, he said.

118
00:06:16.560 --> 00:06:20.319
The funny thing is nothing magical happened overnight. I didn't

119
00:06:20.360 --> 00:06:24.079
suddenly get signed or blow up on Spotify. But everything

120
00:06:24.160 --> 00:06:29.079
feels more real. I see a gradual, sudden shift happening.

121
00:06:31.879 --> 00:06:34.160
Slow and ste I've been saying slow instead. He wins

122
00:06:34.199 --> 00:06:37.839
the race for twelve years, he says, I'm shipping music,

123
00:06:37.920 --> 00:06:42.439
I'm finishing projects, and most importantly, I'm building momentum instead

124
00:06:42.439 --> 00:06:47.560
of spinning in circles. Because what you're doing is you're

125
00:06:47.639 --> 00:06:51.360
actually becoming the master of your destiny instead of just

126
00:06:51.399 --> 00:06:54.279
like letting the currents and the wind and the weather

127
00:06:54.439 --> 00:06:57.720
and everything else dictate where you're going. You're like, I'm

128
00:06:57.720 --> 00:07:01.120
committed to doing this. It's one of those mindsets you

129
00:07:01.199 --> 00:07:04.079
have to have as an artist. If you're gonna take

130
00:07:04.079 --> 00:07:06.959
the island, you burn the boats like there's no turning back,

131
00:07:07.519 --> 00:07:10.240
and so many artists we read these emails.

132
00:07:10.360 --> 00:07:11.759
I get the emails that we don't even.

133
00:07:11.720 --> 00:07:15.199
Respond to because they're just so stupid. They're not going

134
00:07:15.240 --> 00:07:18.000
to do anything unless they can get a guarantee it's

135
00:07:18.040 --> 00:07:20.480
gonna be worth their time. Nothing in life is a

136
00:07:20.519 --> 00:07:22.360
guarantee besides death and taxes.

137
00:07:24.240 --> 00:07:25.720
He says, this shift.

138
00:07:25.439 --> 00:07:29.240
Mattered more than any single opportunity ever did right because

139
00:07:29.360 --> 00:07:32.199
you weren't waiting for anything to happen.

140
00:07:32.279 --> 00:07:36.199
You went and created something for you. You know.

141
00:07:36.240 --> 00:07:38.639
It's most artists want to wait for the phone to

142
00:07:38.800 --> 00:07:41.240
ring and it never does, and then they're like.

143
00:07:41.199 --> 00:07:43.240
Well I tried, I did everything I could.

144
00:07:44.000 --> 00:07:48.199
You many times over the last twenty five years being

145
00:07:48.240 --> 00:07:49.959
in this industry, you would talk to an artist and

146
00:07:50.120 --> 00:07:52.720
say I've done everything, and then you ask them what

147
00:07:52.720 --> 00:07:55.319
they've done and they're like, well, I've done three things,

148
00:07:56.399 --> 00:07:59.920
because you know, I've done everything, and you're like everything, Well,

149
00:08:00.160 --> 00:08:02.079
I've done one hundred things, like one hundred things, and

150
00:08:02.120 --> 00:08:04.319
they're like, okay, I did like three things and they

151
00:08:04.319 --> 00:08:08.720
gave up. He says, So now I'm trying to think

152
00:08:08.759 --> 00:08:12.160
about music as something that requires management, not just passion.

153
00:08:12.319 --> 00:08:14.759
I used to think passion was the hardest part. Now

154
00:08:14.759 --> 00:08:18.079
I realize it's the consistency and structure that makes passion

155
00:08:18.160 --> 00:08:24.319
matter without a doubt, without a doubt, He says, I'm

156
00:08:24.360 --> 00:08:26.800
curious what you think about this idea of treating music

157
00:08:26.879 --> 00:08:28.040
like a real operation.

158
00:08:28.519 --> 00:08:31.040
I always talk about you got to have that.

159
00:08:31.120 --> 00:08:33.799
You got to have that beautiful balance of the art

160
00:08:33.840 --> 00:08:35.679
and the business, and until you get somebody to take

161
00:08:35.679 --> 00:08:37.960
over the business, you got to do both. And that

162
00:08:38.039 --> 00:08:42.879
means being consistent, building that fan base, building those personal

163
00:08:43.279 --> 00:08:47.759
emotional connections with people, be invisible, reaching out to people,

164
00:08:48.600 --> 00:08:51.480
cold calling, being rejected. You're gonna send DMS to people

165
00:08:51.559 --> 00:08:53.559
that follow your account, They're never going to respond. So

166
00:08:53.720 --> 00:08:55.679
what you move on? You worry about the people who

167
00:08:55.720 --> 00:09:01.440
do respond, He says. Lot of artists talk about inspiration

168
00:09:01.480 --> 00:09:04.200
and emotion, but not as many talk about the discipline

169
00:09:04.519 --> 00:09:08.679
that has to underlie everything that it follows. Well, no,

170
00:09:08.720 --> 00:09:10.879
they don't talk about discipline because they don't have discipline.

171
00:09:10.919 --> 00:09:12.559
Why do you, I mean, how are you gonna how

172
00:09:12.559 --> 00:09:14.360
are you gonna? How are you gonna preach about discipline?

173
00:09:14.399 --> 00:09:17.759
But you are drunk, or you're addicted to you know, narcotics,

174
00:09:18.679 --> 00:09:21.559
or you don't pick up your instrument, and play every day.

175
00:09:22.200 --> 00:09:26.279
Look at a great athlete. A great athlete doesn't just

176
00:09:26.399 --> 00:09:31.679
practice on game day. A great athlete practices six seven times.

177
00:09:31.440 --> 00:09:33.320
A week when there is no games.

178
00:09:33.840 --> 00:09:36.759
You have to have that same discipline, the same structure.

179
00:09:37.120 --> 00:09:39.080
You see it with the Jim Brose. You see it

180
00:09:39.080 --> 00:09:42.039
with people when it comes to college. You're never you know,

181
00:09:42.120 --> 00:09:44.240
how are you gonna be a lawyer or a doctor,

182
00:09:44.960 --> 00:09:47.600
And you know, don't do anything besides once a week

183
00:09:47.679 --> 00:09:50.799
show up and go to class. You don't do any homework,

184
00:09:50.799 --> 00:09:52.279
you don't do any studies, you don't do anything.

185
00:09:52.320 --> 00:09:55.159
How are you gonna do that? And there's no different

186
00:09:55.200 --> 00:09:55.639
in music.

187
00:09:57.440 --> 00:10:00.679
He said, what you've said before about execute being more

188
00:10:00.720 --> 00:10:04.759
important than perfection really resonates with this and my new

189
00:10:04.799 --> 00:10:05.240
game plan.

190
00:10:05.320 --> 00:10:05.600
He says.

191
00:10:05.600 --> 00:10:08.960
I'm grateful for the clarity that the shift has given me,

192
00:10:09.080 --> 00:10:11.000
and I want to hear your take on how artists

193
00:10:11.080 --> 00:10:15.360
move from being casual creators to actual career builders. Thanks

194
00:10:15.399 --> 00:10:19.440
for everything, Thanks for the insight, Bob. I mean, if

195
00:10:19.480 --> 00:10:25.399
you want to know, you want to know how to

196
00:10:25.480 --> 00:10:29.399
move from being casual creators to actual career builders, you

197
00:10:29.519 --> 00:10:32.840
got to just be consistent, and you're doing it consistent

198
00:10:32.840 --> 00:10:38.480
with your release schedule, consistent when it comes to posting,

199
00:10:38.960 --> 00:10:41.720
consistent with writing, consistent with trying to book shows.

200
00:10:42.559 --> 00:10:45.200
That consistency is what will give.

201
00:10:45.080 --> 00:10:50.080
You an advantage over everybody, because most artists love to

202
00:10:50.120 --> 00:10:52.759
talk a big game. Most artists love to you know,

203
00:10:52.879 --> 00:10:55.200
they love to tell you. I mean, you see all

204
00:10:55.240 --> 00:10:56.639
the emails we get on this channel.

205
00:10:57.440 --> 00:11:01.159
Everybody's got an excuse. I don't have time. I'm blaming

206
00:11:01.200 --> 00:11:02.000
the algorithm.

207
00:11:02.080 --> 00:11:06.080
It Spotify's fault, it's the industry's fault, it was our

208
00:11:06.120 --> 00:11:09.120
manager's fault. You gotta take you gotta take your career

209
00:11:09.120 --> 00:11:11.480
in your own hands. And what happened with you is

210
00:11:11.559 --> 00:11:14.320
I think you probably got tired of just mediocrity and

211
00:11:14.360 --> 00:11:16.519
you're like, I'm going to do something, and I think

212
00:11:16.519 --> 00:11:19.000
we all get to that point. It's it's like I

213
00:11:19.080 --> 00:11:21.360
tell people, can you change your life.

214
00:11:21.200 --> 00:11:23.080
In an instant? People go no, and I'm like, of

215
00:11:23.080 --> 00:11:23.600
course you can.

216
00:11:24.600 --> 00:11:27.440
The minute you decide no more, never again, I'm not

217
00:11:27.480 --> 00:11:28.039
going to do it.

218
00:11:29.320 --> 00:11:32.159
I'm not going to be this way. You know. I

219
00:11:32.159 --> 00:11:33.960
have a dear friend that just a year.

220
00:11:33.840 --> 00:11:37.960
Ago was you know, five eight five nine, weighed three

221
00:11:38.039 --> 00:11:41.840
hundred and thirty pounds. He's down to two thirty in

222
00:11:41.919 --> 00:11:46.200
a year. How never again did he lose one hundred

223
00:11:46.240 --> 00:11:47.080
pounds in one night.

224
00:11:47.200 --> 00:11:47.960
No, but he.

225
00:11:48.000 --> 00:11:50.960
Changed his life that day when he said no more.

226
00:11:52.159 --> 00:11:55.159
You said in this email in you changed your career

227
00:11:55.720 --> 00:11:58.039
that day when you said no more and you came

228
00:11:58.080 --> 00:12:02.559
into structure. Now, I will caution you with this, don't

229
00:12:02.600 --> 00:12:05.559
become too structured, because then you're gonna just be it's

230
00:12:05.559 --> 00:12:06.759
You're just gonna be a robot.

231
00:12:06.960 --> 00:12:08.639
You know, it's gonna be just very rigid.

232
00:12:09.120 --> 00:12:11.600
Everything's gonna be like you could be, you know, writing

233
00:12:11.600 --> 00:12:13.720
a song and you're like, Okay, time's up. Now gonna

234
00:12:13.720 --> 00:12:17.519
go do the other thing on my schedule. Have the structure, yes,

235
00:12:17.840 --> 00:12:21.279
but be flexible to be able to bounce around as

236
00:12:21.360 --> 00:12:23.960
inspiration hits, because you are still at the end of

237
00:12:23.960 --> 00:12:25.639
the day, and artists and you, still at the end

238
00:12:25.639 --> 00:12:28.799
of the day need that inspiration. And the best way

239
00:12:28.799 --> 00:12:32.879
to kill inspiration is to be like overly structured, overly

240
00:12:32.879 --> 00:12:35.600
addicted to your schedule. You know, there's gonna be a

241
00:12:35.639 --> 00:12:37.279
ton of people on the internet who tell you to.

242
00:12:38.919 --> 00:12:39.759
You know, make your bed.

243
00:12:39.639 --> 00:12:43.200
Every morning, or to drink a green drink every morning

244
00:12:43.279 --> 00:12:45.639
before you wake up, Like you don't have to follow

245
00:12:45.679 --> 00:12:48.799
someone else's roles. It sounds like you just became the

246
00:12:48.840 --> 00:12:51.639
master of your own destiny. And look what's happened. Man,

247
00:12:51.679 --> 00:12:54.879
You feel more rewarded. The numbers are slowly going up.

248
00:12:55.120 --> 00:12:59.039
You're learning more about music, business education, You're becoming smarter.

249
00:13:00.240 --> 00:13:02.279
I mean, you know, I want you to email me

250
00:13:02.320 --> 00:13:04.399
back in six months if you keep doing this, and

251
00:13:04.440 --> 00:13:06.679
I think you will email me back in six months

252
00:13:06.720 --> 00:13:07.600
and let me know.

253
00:13:09.440 --> 00:13:11.440
Just how everything has changed.

254
00:13:11.919 --> 00:13:15.440
Because it so many artists could have a career where

255
00:13:15.480 --> 00:13:18.480
they wouldn't even have time to email me if they

256
00:13:18.759 --> 00:13:21.080
just did the little things that they refused to do.

257
00:13:22.039 --> 00:13:25.200
And you, my guy, are not refusing to do those

258
00:13:25.240 --> 00:13:27.559
little things. And you're gonna have a story to tell.

259
00:13:28.039 --> 00:13:32.039
And so I want to commend you, and hey, thanks

260
00:13:32.039 --> 00:13:34.879
for thanks, thanks for being a friend of the Matrics minute.

261
00:13:35.000 --> 00:13:37.879
When you win that Grammy, I better get thanked for it.

262
00:13:39.679 --> 00:13:40.720
But I'm proud of you, my guy.

263
00:13:40.840 --> 00:13:44.279
I'm proud of you, and I actually I would actually

264
00:13:44.559 --> 00:13:47.120
love to call you out on this channel because I

265
00:13:47.159 --> 00:13:51.360
think that you are one of them who actually get it.

266
00:13:51.919 --> 00:13:55.360
But the Crack Squad team found you on Instagram and

267
00:13:55.399 --> 00:13:58.639
I did follow you, So shoot me a message on Instagram.

268
00:13:58.679 --> 00:14:00.799
I'd love to hear how things are going. But if

269
00:14:00.840 --> 00:14:02.559
you have a question on the music industry that you

270
00:14:02.679 --> 00:14:04.320
would like for me to answer, just go to matthew

271
00:14:04.360 --> 00:14:07.240
Riggs dot com click submit your question, give me as

272
00:14:07.279 --> 00:14:10.399
many details as possible. We'll answer it here on the channel.

273
00:14:10.679 --> 00:14:14.399
And if you are awesome like this guy, please include

274
00:14:14.440 --> 00:14:17.799
as many details as possible. Just just load me up

275
00:14:17.840 --> 00:14:20.440
with as much information as possible because I want to

276
00:14:20.440 --> 00:14:24.159
help celebrate you. I'm Matthew Riggs and until next time,

277
00:14:24.480 --> 00:14:25.759
I will talk to you later.

A success story from an artist about the Music Industry

New to Music Business Newsletter w/ Matthew Rix?