Welcome to Music Business Newsletter w/ Matthew Rix!
Oct. 29, 2025

How Do You Know When to Quit Music?

How Do You Know When to Quit Music?
How Do You Know When to Quit Music?
Music Business Newsletter w/ Matthew Rix
How Do You Know When to Quit Music?

In this episode of the Music Business Newsletter with Matthew Rix, I received an email from a 26 year old artist from Indianapolis who’s feeling stuck and burned out.
Trey’s been grinding for years, posting freestyles, dropping songs, paying for promotion, and recording in his basement studio, but he feels like nothing’s changing. He’s starting to wonder if he’s just wasting his time chasing a dream that might never happen.
It’s raw, it’s honest, and it’s something almost every artist has felt at one point.
In this episode, I break down:
How to tell the difference between being stuck and being on the verge of a breakthrough
Why consistency alone isn’t enough and what’s missing from most artists’ grind
What you can do when motivation fades and results don’t show up
How to keep your passion alive while being honest about your future
If you’ve ever felt discouraged, unseen, or ready to give up on music this one’s for you.
Got a question about the music industry you want me to answer?
Send me an email at MatthewRix.com.
The more details you share, the better advice I can give and your story might just help someone else, too.

#MusicIndustry #IndependentArtist #MotivationForMusicians #MusicCareer #ArtistAdvice #MattrixMinute #MatthewRix #MusicBusiness #ChasingDreams #ArtistStruggles #MusicMotivation #DontGiveUp


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WEBVTT

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Hey, this is Matthew Ricks and today on the Music

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Business newsletter. It's a good one. It's from an artist

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out in Indianapolis who just kind of feels like he's

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tried everything and nothing is really sticking. So we're gonna

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dive into the email and hopefully be able to help him.

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And I think that everybody in this journey in the

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music industry probably has felt like him, fought like him,

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probably maybe even done some of the things he has done,

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hoping that that was gonna fast track you, and it doesn't.

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So we're gonna we're gonna dive into that email. But

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before we do, if you have a question or a

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comment on the music industry and you would like me

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to answer it, all you got to do is go

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to Matthewicks dot com, click submit your question, give an

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give me as many details as possible, and we'll answer

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it here on the channel. I don't need you to

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join a Patreon or subscribe or become a member, or

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buy a book or join my book club. Just go

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to Matthew Ricks dot com and click submit question. And

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is that easy. So let's dive into today's email. This

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is a long one, so just be prepared but we

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want to thoroughly be able to help him, and I

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do believe that you will be able to find some

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of yourself in this email as well. My mom also

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told me to stop slouching in chairs, So I'm going

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to be the good, god fearing boy that she created

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and not slouch anymore. Don't look like a hooligan, is

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what she said. So anyways, here's the email. It says, so,

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I've been watching your videos for like a week now,

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and man, I gotta say, you really be talking about

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the stuff nobody else wants to talk about. I don't

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really know if what I'm saying nobody wants to talk about.

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But also I don't have an agenda. And just like

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when I started The Magic's Men in twenty fourteen, my

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agenda was never to get into like being your life

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coach or having you pay for a membership. It was

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always just helping you the art artists. And there was

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actually a point, I think in twenty fifteen we were

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approached by a record label that wanted the matrics Minute,

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but they one of the things they wanted to do

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was make it more of like a Goose chase, you know,

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kind of just leave Easter eggs laying around, so you

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always had to keep coming in because they're like, you

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help these people, you solve the problem, and then they vanish,

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and we want to consolidate that and just keep growing

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the audience. So you kind of have to do more

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of just kind of dangling stuff to keep them tuned in.

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And I was like, I'm not doing that that that's

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a waste of their time in my time. So I

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don't really feel like I'm talking about stuff that nobody

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else wants to talk about. I just don't have an agenda. No,

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there are other people out there who lay it all

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on the table for you as well. Bob lef Sets

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is one of them. That Goat's been writing music business

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newsletters for twenty some odd years and there's nothing you know.

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He doesn't charge you for anything, but I do appreciate

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the sentiment, and I hope that you can find other

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people online who aren't trying to sell you anything, but

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they do just want to help all of you guys,

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Because one day I want you to win a Grammy

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and I want you to thank me. That goes for

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all of y'all, Okay, or invite me as your date

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to the Grammys. But anyways, the email continues, I don't

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even usually write people like this, but I'm kind of

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stuck and don't know what to do next. Well, I

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guess you came to the right place. I will do

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my best to help you out here, The email continues.

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I am a rapper from Indianapolis, Indiana. Been doing music

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since high school. I'm twenty six now, and I feel

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like I'm better than ever. Well, that's good. You're constantly growing,

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you're constantly evolving. You don't want to peek in music

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eight years ago? How many artists? How many artists do

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you know that their best album was twenty years ago,

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and no matter how hard they tried, they just cannot

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get any better. So that's good that you feel like

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you're getting better, he says. I feel like I'm better

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than ever, but nothing's really happening. I got a small

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fan base, like two thousand people on Instagram. That's not

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really a fan base. Followers is not a fan base.

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I have I think, like fifty seven hundred people on Instagram,

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and it varies from post to post if they're going

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to engage in it, it varies if the algorithm's even

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gonna kick it to them. Because it's based on why

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they followed me. I've had Instagram now, I think for

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about eleven years, twelve years, and so I have people

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who followed me because they came to the live events

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in twenty fourteen and twenty fifteen and twenty seventeen. I

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have people who followed me because they like my Goldendoodle.

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I have people who follow me because I'm a softball dad,

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people who follow me because I'm a follower of christ

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I have people who follow me about the music industry.

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So if I post an interview clip with you know,

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the great punk band Grade two, well the algorithm's probably

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not going to serve to the Golden Doodle people or

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the Softball people, or the Christian people, or they do

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and they just don't care and they just move on.

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So I don't really think you have a fan base

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at two thousand people. I think you have two thousand followers,

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which isn't bad. But the email continues, but half of

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them don't even like or comment on my stuff anymore. Well,

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the one thing I would ask you with that is

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how long have you had your account? Have you had

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it for when you started music at eighteen, so eight

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years ago? Because eight years in social media is a lifetime.

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I mean, I ran I have that problem. I got

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people who, you know, they gave up on their account,

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they got locked out of their account, their account got hacked,

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they are no longer on this earth. They you know,

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got married and created a new account, or they just

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don't care anymore and they just won't bring themselves too

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unfollow So that's pretty typical. Now with two thousand followers,

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you're saying half don't engage, so that means the other

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half does. So you're getting a thousand likes and comments

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and engagement. I mean, that's if that is the case,

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that's that's pretty good. D email continues. I drop songs

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every few months, and I promote it like crazy for

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a week and then it dies off. So are you

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promoting like crazy for a week You're just like twenty

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posts a day about your new song, and then after

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a week you get bored and you stop promoting? Or

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after a week does everybody just check out because are

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you are you doing something different or is it just

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constantly the same thing over and over again and people

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are just kind of tuning you out. It's just white

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noise now. But promote it like it's crazy for a

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week and then it dies out, dies off. I mean

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that could be numerous things. It could be the way

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you're promoting it, could be it's not a good song.

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I don't know how you're promoting it. We I think

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you get into that here in a bit. I would

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love to know what your Spotify plays are as well.

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You don't mention that, but let's continue. In the email,

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he says, the problem is I feel like I'm doing

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everything they say you're supposed to do. Who's everybody I post?

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He says, I post clips, I do freestyles, I tag

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other artists, I use hashtags, I go live sometimes. I

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even tried pain one of those promo pages one hundred

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dollars to post my song, and I got like twelve

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followers from it. All right, let's break this down here,

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he says, you're I'm supposed to do. I'm doing everything

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they say you're supposed to do. Once again, who are they?

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I post clips of my music? But okay, so let's

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take that one right here. You post clips of your music?

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Is that because like, what's the clip of? Is it

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you and your kitchen? But that's every clip? Are you

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in your car? And every clip, Is it the album cover?

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Is it you in the studio? I don't know what

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the clips are because if they're low quality or low effort,

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people aren't going to engage in that. You do freestyles,

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I don't know if you're doing freestyle battles on Instagram,

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which is kind of weak. Are you doing them in person?

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You tag other artists? I don't know why you would

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tag other artists if they have nothing to do with

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your song. I mean, are you as a rapper? Are you?

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Are you tagging Kendrick hoping that he's gonna notice it

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and then share to his millions because it doesn't work

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that way. I use hashtags. I would love to know

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what your hashtag game is. Is it the same hashtags

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every time? Is the hashtags relevant to the post? Because

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that actually does make a big difference, because what will

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happen is is, let's say you post a clip of

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you freestyling, which is the other thing. Are you posting

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clips of you freestyling? Are you posting clips of your music?

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Are you posting clips of you playing shows? I don't

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know what the clips are, but anyways, the hashtag thing.

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If you hashtag golden doodles, that's going to get service

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to people who have golden doodles. If it's got nothing

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to do with golden doodles, there's gonna be no engagement.

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The algorithm is not going to keep kicking it out

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to you or kicking it out to them. It's just

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gonna kind of leave it. It just dies on the shelf.

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You go live sometimes, what do you do when you

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go live? Are you like, are you freestyling? Are you

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beefing with people? Are you answering questions? I don't know

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what you're doing when you go live, but that's good.

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The big red flag here is if I had a

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red flag, I would be waving it right now. Is

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you tried to pay one of those promo pages one

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hundred dollars to post your song and it got twelve legs.

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Internet companies who want to promote your song and pay

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and all of this stuff. Here's the thing. Their audience

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is other broke artists, is other starving artists. There's not

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a huge plethora of music fans who want to get

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spammed and harassed multiple times a day with artists They

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have no clue who it is. The fact that you

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got twelve followers from that, considering I know what kind

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of scam those internet promo companies are running. That's pretty good. Now,

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are those twelve real people? Are those twelve bots? Are

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those twelve you know, you know bots from Russia? We

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don't know. Never pay, never pay any of those Internet

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companies to promo your song. I don't care who you are,

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and I don't care how good you think your song is.

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It's it's it's just it's a scam. It's that's what

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it is. It's a scam and one hundred dollars for

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them to promo it. And the way that this scam

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works is for one hundred dollars, they will blast your

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song to their followers. Now their followers could be fake

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as well, by the way, they could have bought followers

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or whatever. But yeah, that wasn't that. That was not

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a smart play right there. Because also, here's the thing is,

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if you start, if you start getting a ton of

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bots following you, or you're following a ton of bots,

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like if you paid for fake accounts, those twelve accounts off,

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those twelve accounts are fake. Let's say, you know, like

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I've seen I've seen people by thousands of followers many

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you post something Instagram, YouTube, wherever you bought these fake

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followers from. It blasted out to your followers first before

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it does the general audience. If you have no followers,

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if your followers are all dead accounts, fake accounts, whatever,

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the algorithm doesn't know that it's gonna blast it out

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to the people who are following you. They notice that

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your followers are not engaging in it, so then they

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the algorithm deems this is a bad post, it's a

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low interest post, and they won't service it beyond. That's

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why you never ever like hire any of these companies

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to do any of the stuff for you. So the

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email continues, I don't know if I'm just wasting money

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or if I just need to keep going. Well, you're

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wasting your money by giving it to promo accounts. You

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absolutely are wasting your money, The email continues. I record

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everything myself in my basement studio good. I mix my

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own stuff too, because I can't really afford to pay

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for a real mix right now. If you have a

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00:12:57.200 --> 00:13:00.440
good air for mixing, that's not a problem. Shout out

225
00:13:00.480 --> 00:13:04.759
to uh my man out in New Hampshire. Jay Whitehead

226
00:13:05.279 --> 00:13:10.559
guy mixes his own stuff. His beats are fire his

227
00:13:11.159 --> 00:13:15.080
songs are outstanding, and you will you just remember I

228
00:13:15.120 --> 00:13:16.919
said Jay White ay, because you don't know about him

229
00:13:17.120 --> 00:13:19.960
in the months and years to come. But he mixes

230
00:13:19.960 --> 00:13:21.559
his own stuff and it's great if you have an

231
00:13:21.600 --> 00:13:23.720
air for it. If you don't have an air for it,

232
00:13:23.919 --> 00:13:26.120
then you you need to become friends with somebody who does,

233
00:13:27.720 --> 00:13:30.720
or stop releasing music so much and just pay for

234
00:13:30.799 --> 00:13:33.840
one person. Just pay for one song to be mixed

235
00:13:34.559 --> 00:13:36.840
and have would be a really good song. People tell

236
00:13:36.879 --> 00:13:39.240
me my songs are the email continues, people tell me

237
00:13:39.279 --> 00:13:44.279
my song sound good for being homemade. But that kind

238
00:13:44.279 --> 00:13:47.320
of feels like a backhanded compliment. Yeah it is. You

239
00:13:47.399 --> 00:13:50.879
have every right to feel that way. Songs are good

240
00:13:50.919 --> 00:13:54.080
for being homemade. I don't like that, okay. So that

241
00:13:54.080 --> 00:13:57.799
that that line right there, that is from somebody who

242
00:13:57.799 --> 00:14:02.480
doesn't understand music at all. Because all music is homemade

243
00:14:02.840 --> 00:14:06.120
unless you're like, you know, Taylor Sweats or whatever, and

244
00:14:06.120 --> 00:14:08.879
you create your songs in the studio. Nothing wrong with that,

245
00:14:09.159 --> 00:14:11.840
but that's just how it goes. Every song starts in

246
00:14:11.840 --> 00:14:13.879
a bedroom or a basement or a living room or

247
00:14:13.919 --> 00:14:16.240
a garage or whatever. All the good ones do. Really,

248
00:14:16.960 --> 00:14:20.840
so it's supposed to be a backhand account compliment. But

249
00:14:20.919 --> 00:14:23.960
it's just how music is. Most music is made is homemade.

250
00:14:24.320 --> 00:14:27.399
But it also sounds like you're a little bit but

251
00:14:27.559 --> 00:14:30.639
hurt that people aren't just like fawning all over you

252
00:14:31.759 --> 00:14:33.600
because they said it sounds good for being homemade. Like

253
00:14:33.600 --> 00:14:36.279
I'd be like, yeah, thanks, I've got a gift. What's up?

254
00:14:36.679 --> 00:14:39.840
Go stream my songs twenty times a day. But you

255
00:14:39.919 --> 00:14:41.679
kind of take it as like, oh, I'm offended. Down,

256
00:14:41.679 --> 00:14:44.120
don't be offended. You're you're throwing your art out there.

257
00:14:44.200 --> 00:14:45.600
You can't. You have no right to be offended if

258
00:14:45.639 --> 00:14:48.399
somebody doesn't just like do backflips over it. The email

259
00:14:48.440 --> 00:14:50.759
continues like either it's good or it's not. You know,

260
00:14:51.360 --> 00:14:53.679
I've been thinking about trying to move to Atlanta or

261
00:14:53.759 --> 00:14:59.519
New York City to get around people doing it. I mean,

262
00:14:59.519 --> 00:15:03.080
you're close to it's Chicago hometown of Chicago. They have

263
00:15:03.159 --> 00:15:07.879
a great thriving hip hop market there. But if you

264
00:15:07.919 --> 00:15:10.759
can't afford a mix or do you think you're gonna

265
00:15:10.759 --> 00:15:12.639
be able to move to Atlanta or New York And

266
00:15:12.679 --> 00:15:15.159
there's this mixers hanging out on the street who are

267
00:15:15.159 --> 00:15:18.000
going to want to do your stuff for free, not

268
00:15:18.120 --> 00:15:21.879
to mention you're going to uproot everything in your life

269
00:15:22.360 --> 00:15:27.559
and know nobody. It's It's called the illusion of action.

270
00:15:28.200 --> 00:15:30.399
I gotta do something to show I'm serious, to show

271
00:15:30.440 --> 00:15:35.399
myself I'm serious. But the email continues, But my girl

272
00:15:36.600 --> 00:15:39.399
don't really want to move, and honestly, I don't even

273
00:15:39.480 --> 00:15:46.840
know if that's the answer. Well, if you feel strong

274
00:15:46.960 --> 00:15:48.840
enough in your heart to move to Atlanta or New

275
00:15:48.919 --> 00:15:53.000
York City because you want to pursue your music and

276
00:15:53.080 --> 00:15:56.039
your girl doesn't, now, I don't know. If you guys

277
00:15:56.080 --> 00:16:00.279
have kids, I don't know. If she's paying the rent.

278
00:16:00.600 --> 00:16:02.440
I don't know. If this is just like a girlfriend

279
00:16:02.480 --> 00:16:06.320
who you know lives down the road and you guys

280
00:16:06.399 --> 00:16:10.399
get together and have date nights and whatever, then I

281
00:16:10.440 --> 00:16:12.720
would if you feel strong enough that you need to

282
00:16:12.720 --> 00:16:14.799
do this, then I would say I will miss you,

283
00:16:14.879 --> 00:16:17.720
and I hope you follow after me soon. If you

284
00:16:17.840 --> 00:16:21.559
have kids, if she's paying the bill, if she's paying

285
00:16:21.559 --> 00:16:25.919
the bills and she don't want to move, yay moving.

286
00:16:26.639 --> 00:16:28.440
I don't care how much you want to be committed

287
00:16:28.440 --> 00:16:30.080
to me, especially if you got a kid. If you

288
00:16:30.120 --> 00:16:33.159
got a kid, you are not moving. Do not do

289
00:16:33.320 --> 00:16:38.440
not leave your child without a dad in Indianapolis because

290
00:16:38.440 --> 00:16:40.399
you went to Atlanta to try to find the right

291
00:16:40.440 --> 00:16:44.120
people to do stuff with. Don't do not. Kids always

292
00:16:44.159 --> 00:16:46.720
come first moment always, But I don't know what the

293
00:16:46.759 --> 00:16:51.519
situation is with your girl. The email continues. Everybody says,

294
00:16:51.720 --> 00:16:54.279
just be consistent, but I've been consistent for years and

295
00:16:54.320 --> 00:16:59.080
it feels like nothing changes. Well, if it was easy,

296
00:17:00.039 --> 00:17:05.400
everybody would do it. If it was easy to pursue

297
00:17:05.480 --> 00:17:08.400
your dreams and music, then everybody would do it. There

298
00:17:08.440 --> 00:17:11.240
would be no A and R, there would be no

299
00:17:11.359 --> 00:17:14.920
producers because everybody would just know what they're doing. I

300
00:17:14.960 --> 00:17:18.880
don't know if you've been consistent because I don't know enough.

301
00:17:19.000 --> 00:17:21.079
I see you doing a lot of things. I just

302
00:17:21.079 --> 00:17:24.960
don't know if what you're doing is actually beneficial or

303
00:17:25.000 --> 00:17:27.440
if it's just once again the illusion of action, like, oh,

304
00:17:27.480 --> 00:17:30.359
I probably should get on livestream because you know nobody's

305
00:17:30.400 --> 00:17:33.119
listening to my songs. I would also love to know,

306
00:17:33.319 --> 00:17:36.359
since you put so much emphasis on being online, I

307
00:17:36.359 --> 00:17:39.640
would love to know if you're doing the terrible trope

308
00:17:39.640 --> 00:17:42.839
that a lot of rappers do, where you're like beefing

309
00:17:42.920 --> 00:17:46.960
with people, like everybody's trying to channel their inner Takashi

310
00:17:47.000 --> 00:17:50.119
Six' nine and just like beefing and heckling people Or island.

311
00:17:50.160 --> 00:17:52.400
Boys Island boys were good ones. Too hey for all

312
00:17:52.400 --> 00:17:55.240
you rappers out there who like beefing with, People, YEAH

313
00:17:55.240 --> 00:17:58.200
i just know you're mimicking The Island. Boys good. Look

314
00:17:58.640 --> 00:18:00.680
but SO i don't. KNOW i don't know if you've been.

315
00:18:00.759 --> 00:18:05.319
CONSISTENT i know that starting off in music at eighteen

316
00:18:05.920 --> 00:18:09.480
and now you're twenty six and feeling like you're wasting your.

317
00:18:09.519 --> 00:18:12.960
LIFE i, mean you're twenty six years old and feels

318
00:18:13.000 --> 00:18:16.319
like nothing's. Changing if you've been doing something for eight

319
00:18:16.400 --> 00:18:18.079
years and you're not getting the results you, want then,

320
00:18:18.119 --> 00:18:19.839
yeah you do need to mix it. UP i don't

321
00:18:19.880 --> 00:18:26.640
know if that means, moving but if, yeah if it's

322
00:18:26.640 --> 00:18:29.319
something's not, working then, yeah do make a. Change but

323
00:18:29.359 --> 00:18:32.000
it might be your, songs it might be the way

324
00:18:32.039 --> 00:18:34.559
you're approaching things, online it might be your. PROMO i

325
00:18:34.559 --> 00:18:36.759
don't have enough information to tell you, like, oh you're

326
00:18:36.759 --> 00:18:39.200
being consistent or, Not so let's continue with the. Email

327
00:18:39.640 --> 00:18:41.279
SO i guess my question, is how do you know

328
00:18:41.359 --> 00:18:43.640
when you're wasting time on something that ain't gonna. WORK

329
00:18:43.759 --> 00:18:46.319
i don't think you. KNOW i, mean but, look it's

330
00:18:46.359 --> 00:18:48.400
not just, music like if you wanted to go get

331
00:18:48.440 --> 00:18:53.200
a job in THE c suite At, amazon you know

332
00:18:53.240 --> 00:18:56.279
you wanted to be a director At, Amazon you're gonna

333
00:18:56.279 --> 00:18:58.880
have to. Apply you're gonna have to you, know sometimes

334
00:18:58.920 --> 00:19:00.319
you'd have to start at the bottom of work your

335
00:19:00.359 --> 00:19:02.920
way to the. Top you don't know if that's going to.

336
00:19:03.000 --> 00:19:10.160
Work if you were to just end music today and you,

337
00:19:10.160 --> 00:19:13.440
know go work At starbucks and hope to one day

338
00:19:13.440 --> 00:19:16.200
be a general manager of A, starbucks you don't know

339
00:19:16.240 --> 00:19:19.359
if that plan is going to. Work life is a.

340
00:19:19.359 --> 00:19:22.039
Gamble that's why you have to work. Hard that's why

341
00:19:22.079 --> 00:19:26.799
you have to be persistent and. Consistent for, me my

342
00:19:27.559 --> 00:19:29.839
story WHEN i started sixteen in the music, industry my

343
00:19:29.920 --> 00:19:33.640
story was Always WHEN i was, seventeen eighteen years old

344
00:19:33.680 --> 00:19:38.160
working For Jive, RECORDS i was not hanging out with my.

345
00:19:38.240 --> 00:19:44.680
FRIENDS i wasn't. PARTYING i was reading stuff on the music.

346
00:19:44.720 --> 00:19:48.599
INDUSTRY i, hey let me, Hear oh you want to

347
00:19:48.640 --> 00:19:51.240
throw the, ball we'll we'll throw the ball in a.

348
00:19:51.319 --> 00:19:59.000
Minute let me go go go good. Girl WHEN i was, sixteen,

349
00:19:59.079 --> 00:20:01.599
seventeen eighteen years old the music, industry, YEAH i wasn't.

350
00:20:01.640 --> 00:20:05.359
PARTYING i WASN'T i WASN'T i wasn't even hanging out

351
00:20:05.400 --> 00:20:08.079
with my, friends LIKE i was learning more about the music.

352
00:20:08.119 --> 00:20:12.160
Industry and then WHEN i got in my, twenties everybody

353
00:20:12.200 --> 00:20:17.759
was reading stuff Like variety and all the industry, MAGAZINES

354
00:20:17.880 --> 00:20:21.200
La weekly and. EVERYTHING i was actually reading like books

355
00:20:21.200 --> 00:20:25.440
on like neuro linguistic, programming AND i was reading self help.

356
00:20:25.480 --> 00:20:28.559
Books not BECAUSE i needed, it BUT i saw, that,

357
00:20:28.680 --> 00:20:31.559
like you, know someone Like Tony robbins can charge five

358
00:20:31.640 --> 00:20:34.200
thousand dollars for a weekend for people to come see

359
00:20:34.240 --> 00:20:38.519
him and sell millions of, Books like how DO i

360
00:20:38.640 --> 00:20:44.319
transfer that into marketing? Albums And that's WHAT i. Did

361
00:20:44.960 --> 00:20:49.079
so it was a gamble BECAUSE i wasn't. Networking i'm still,

362
00:20:49.079 --> 00:20:52.200
Today i'm like the world's worst networker here In. NASHVILLE

363
00:20:52.440 --> 00:20:54.200
i don't go to industry. STUFF i don't go in.

364
00:20:54.279 --> 00:20:57.119
Network but you just don't know if something's gonna work or.

365
00:20:57.160 --> 00:21:00.480
Not it's just the. Way it's just tell me anything

366
00:21:00.519 --> 00:21:04.200
in life that's a guarantee besides death and, Taxes, like

367
00:21:04.319 --> 00:21:06.720
nothing is a. Guarantee SO i can't really sit here

368
00:21:06.720 --> 00:21:09.160
and tell you if you're wasting your time on something

369
00:21:09.200 --> 00:21:13.319
that isn't gonna, Work BECAUSE i, mean, HONESTLY i. THINK

370
00:21:13.480 --> 00:21:16.480
i think you see a lot of, artists the artists

371
00:21:16.519 --> 00:21:20.799
that are, successful not the industry. Plans they'll tell, you

372
00:21:20.839 --> 00:21:24.720
LIKE i was ready to give. UP i was. TIRED i.

373
00:21:24.880 --> 00:21:29.039
WAS i, MEAN i interview artists like on this, channel

374
00:21:29.799 --> 00:21:34.559
and how many artists they struggled or Got they got

375
00:21:34.680 --> 00:21:37.160
very dark before it got, Bright like it's just part of.

376
00:21:37.200 --> 00:21:40.279
LIFE i think IT'S i think a lot of Times

377
00:21:40.319 --> 00:21:44.759
god tester our, character AND i do believe That god

378
00:21:45.000 --> 00:21:48.000
is more interested in our character than he is our,

379
00:21:48.039 --> 00:21:51.920
Convenience like when it's, dark when things aren't, working when

380
00:21:51.920 --> 00:21:54.799
you've tried a ton of stuff and nothing's, Work like

381
00:21:54.880 --> 00:21:57.960
are you consistent to keep going and to keep making

382
00:21:58.079 --> 00:22:02.160
slight adjustments to make it work for? You but the email,

383
00:22:02.200 --> 00:22:05.359
continues he says LIKE i love making, Music it's ALL

384
00:22:05.400 --> 00:22:07.519
i think, about but also don't want to be forty

385
00:22:07.559 --> 00:22:12.200
still trying to make it. Well are you only doing

386
00:22:12.319 --> 00:22:14.480
music because you want to make? It or do you

387
00:22:14.519 --> 00:22:18.599
do music because you love? Music LIKE i would talk

388
00:22:18.640 --> 00:22:21.200
to people about the music industry regardless of the. Matrics

389
00:22:21.200 --> 00:22:24.480
minute had one stream or a million, STREAMS i probably

390
00:22:24.480 --> 00:22:28.200
would do this video newsletter if one person listened or

391
00:22:28.279 --> 00:22:31.759
five hundred people. Listen Because i'm passionate about the music.

392
00:22:31.799 --> 00:22:35.960
Industry i'm passionate about helping. Artists it's been my obsession

393
00:22:36.039 --> 00:22:40.519
for twenty five. Years so if the whole goal is

394
00:22:40.599 --> 00:22:43.920
to make, it then, yeah you probably should just give.

395
00:22:44.000 --> 00:22:46.039
Up if you do it because you love music and

396
00:22:46.079 --> 00:22:49.359
you love being able to express yourself and you love

397
00:22:49.960 --> 00:22:52.240
that you get to create art and you know you

398
00:22:52.279 --> 00:22:57.440
have something to, say then age doesn't, matter you. Know

399
00:22:59.079 --> 00:23:04.079
but we continue with the. Amount he, SAYS i feel

400
00:23:04.079 --> 00:23:09.160
LIKE i MAYBE i missed my chance or. Something you're twenty, six,

401
00:23:09.279 --> 00:23:12.279
DUDE i THINK i GOT i Mean i'm forty. FOUR

402
00:23:12.440 --> 00:23:14.839
i THINK i GOT t shirts older than. YOU i

403
00:23:15.079 --> 00:23:17.240
actually do THINK i have a KISS t shirt older than.

404
00:23:17.240 --> 00:23:20.359
You alrpd's, Freely so he, CONTINUES i feel like MAYBE

405
00:23:20.400 --> 00:23:23.240
i miss my chance or. Something but THEN i watch

406
00:23:23.319 --> 00:23:27.319
and listen to The matrics, minute and you make me

407
00:23:27.359 --> 00:23:30.480
feel like maybe it's not too. LATE i think my

408
00:23:30.519 --> 00:23:32.319
whole purpose with The matrics. MINUTE i THINK i used

409
00:23:32.359 --> 00:23:34.519
to say this back in the day in twenty fifteen twenty,

410
00:23:34.559 --> 00:23:36.640
sixteen is like a lot of people want to talk

411
00:23:36.720 --> 00:23:39.359
you out of your, dreams like the, scammers and there's

412
00:23:39.400 --> 00:23:41.160
people on YouTube and stuff who want to give you

413
00:23:41.279 --> 00:23:43.559
music industry, advice and it's, like if you don't work with,

414
00:23:43.640 --> 00:23:46.960
me you're not going to. Succeed like that's. Crop AND

415
00:23:47.039 --> 00:23:49.359
i always used to say a lot of people want

416
00:23:49.400 --> 00:23:50.720
to talk you out of your. DREAMS i, mean you

417
00:23:50.799 --> 00:23:55.680
got parents and relatives and friends and significant others and

418
00:23:55.839 --> 00:23:58.599
people on the internet who will tell you you're never

419
00:23:58.640 --> 00:24:02.000
going to make, it and everybody wants to talk to

420
00:24:02.039 --> 00:24:03.359
you out of your DREAM i want to talk you

421
00:24:03.400 --> 00:24:06.799
into it. Now is that selling out? Arenas is it

422
00:24:06.920 --> 00:24:10.160
making some money On? Spotify is it feeling passionate and

423
00:24:10.200 --> 00:24:12.839
feeling fulfilled that you're creating something and you got this

424
00:24:12.880 --> 00:24:14.240
gift of music and you want to share it with

425
00:24:14.279 --> 00:24:16.480
whoever will accept it. THAT i want to talk you

426
00:24:16.480 --> 00:24:19.480
into that dream all day. Long the email. Continues, sorry

427
00:24:19.480 --> 00:24:21.480
this emails all over the. PLACE i just had to

428
00:24:21.480 --> 00:24:23.519
get it. Out, well you came to the right, place all.

429
00:24:23.640 --> 00:24:26.720
Right i'm here for. YOU i respect what you are

430
00:24:26.759 --> 00:24:30.880
doing And i'd love to hear your honest. Opinion appreciate

431
00:24:31.000 --> 00:24:36.640
you reading. This Signed Bob, Okay, bob you're twenty six years.

432
00:24:36.680 --> 00:24:39.079
Old you haven't missed your mark in. Life, okay you're twenty.

433
00:24:39.119 --> 00:24:41.799
Six anybody who's over the age of twenty six will be, like,

434
00:24:41.839 --> 00:24:44.759
bro you're like a. BABY i made a lot of

435
00:24:44.799 --> 00:24:47.119
stupid moves at twenty six years. Old by the, way all,

436
00:24:47.200 --> 00:24:52.920
right never pay for internet promo, stuff regardless of how

437
00:24:52.920 --> 00:24:56.119
good it, sounds regardless of what they say they can

438
00:24:56.160 --> 00:24:57.759
do or who they're going to share your music. To

439
00:24:57.960 --> 00:25:01.839
we actually have an email coming up. Tomorrow we're talking

440
00:25:01.839 --> 00:25:05.039
about playlist and that's another one of those. Scams don't

441
00:25:05.079 --> 00:25:08.000
move To atlanta And New York. City if your girl

442
00:25:08.359 --> 00:25:10.680
is paying your, rent if you have a, kid you

443
00:25:10.759 --> 00:25:13.039
just gonna have to slug it out In indianapolis to

444
00:25:13.079 --> 00:25:16.920
your girl wants to. Move but if it's not working

445
00:25:17.000 --> 00:25:19.720
after eight, YEARS i would change your. Approach i'm not

446
00:25:19.759 --> 00:25:23.880
saying stop doing. Music i'm saying go study other people

447
00:25:24.039 --> 00:25:28.119
what they did and try to make it your. Own

448
00:25:29.519 --> 00:25:33.319
but successfully heads clues and if you look and see

449
00:25:33.319 --> 00:25:37.039
what somebody's done that's, worked make it your own and

450
00:25:37.079 --> 00:25:39.359
then compare it to what you're doing versus what they're,

451
00:25:39.359 --> 00:25:43.400
doing and see what works and see what. Doesn't but

452
00:25:43.480 --> 00:25:46.240
at twenty six years, old you definitely have not missed the.

453
00:25:46.319 --> 00:25:50.119
Mark they're definitely not wasting your. Time if you're only

454
00:25:50.119 --> 00:25:52.960
making music so you can quote unquote make, it then

455
00:25:52.960 --> 00:25:56.400
stop doing it because that is a that is a

456
00:25:56.440 --> 00:25:59.680
slippery slope of you never being grateful for what. Happens

457
00:26:00.039 --> 00:26:02.599
always just a hamster on a wheel chasing after. Something

458
00:26:03.960 --> 00:26:08.440
But bob In, Indiana, indianapolis the, RAPPER i do appreciate this.

459
00:26:08.519 --> 00:26:12.480
Email make some, adjustments figure out what those adjustments, are come,

460
00:26:12.519 --> 00:26:15.119
back let me know how it's. Going we'll work with

461
00:26:15.160 --> 00:26:17.200
you again if we have. To if you have a

462
00:26:17.279 --> 00:26:19.000
question on the music industry that you want me to,

463
00:26:19.000 --> 00:26:22.279
answer just go To matthewricks dot com click submit your

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00:26:22.359 --> 00:26:25.240
question AND i will answer it here on this. Channel

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00:26:25.799 --> 00:26:28.559
and until next, TIME i will talk to you later