Feb. 10, 2026
This is the laziest Artist in Music
Today on the Music Business Newsletter with Matthew Rix, I received an email from the laziest artist in music.
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Hey, this is Matthew Rickson today on the Music business newsletter.
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We got one from he tells you he's lazy. He's
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an artist who's lazy. He says, Hey, Matthew, I'm going
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to be honest right out of the gate, because I
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don't see the point in pretending I want a music career.
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I want recognition, respect, money, fans, all of it. But
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I really don't want to do that much to get there.
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You know, I had such a great day. Daughter hit
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the home run, breath in my lungs. My team's like, yo,
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wait till you see this email. So you want everything,
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you just don't want to do anything for it. I mean,
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you gotta appreciate the honesty, he says. And before you
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jump to conclusions, hear me out. You know, we don't
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really have to jump to conclusions when an artist says
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I want to be rich and famous, I don't want
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to do anything for it, which I like to tell people.
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If you want to be famous and you don't want
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to work for it, just commit a crime and go
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to jail. You'll be in the newspaper, everybody will know
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your name. I'm being facetious. Don't commit a crime. Don't
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blame me for it. He says. I make music because
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I like making music. I don't like posting every day.
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I don't like networking, and I don't like building community.
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We're still we still have more of the he doesn't like.
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But I just wanted to sit there for a second
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and let you know that they are artists in twenty
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twenty six who don't want to post every day, who
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don't like networking, and they just want to make music
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and just have the checks come rolling in. But anyways,
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he says, I don't like building community. I don't like
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DM and people. Oh I bet you like sign into
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people's dms. I'm over that. You know that's different. He says.
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I don't like content, I don't like playing shows that
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don't pay well. And I definitely don't like being told
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I have to treat this like a business. So I know,
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I paused a few times with all the I don't likes.
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So let's let's go back over that. He says, I
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like making music. I don't like posting every day. I
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don't like networking. I don't like building community. I don't
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like DM and people. I don't like content. I don't
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like playing shows that don't pay well, and I definitely
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don't like being told I have to treat this like
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a business. Okay, So if you don't treat it like
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a business, then what is it. It's a hobby. It's
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a hobby, right, Well, let's be honest here. Most hobbies
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don't bring you fame. Most hobbies don't bring you money. Okay,
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my son's got a three D printer. It's a hobby.
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He's not gonna get famous from that hobby. That's is
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why it is. He goes. But somehow it feels like
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everyone else expects me to do all of that stuff
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just to get a shot. Yeah. Yeah, everybody else wants
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me to network, and everybody else wants me to post content.
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Everybody wants me to play shows that aren't paying thousands
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of dollars. But what he says, I've released a few songs.
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They're good, at least I think they are, and my
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friends think they are too. Your friend's opinion of your
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music doesn't matter, And I don't care who the artist is.
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It doesn't matter. He's said, which should count for something,
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It doesn't, It doesn't. I don't see why I should
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have to constantly prove myself online, it's not okay. So
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the artists who prove themselves online or feel like they
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need to prove themselves online, usually that all they're doing
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is responding to haters. Somebody says your song sucks, and
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then you post thirty five replies about it in your
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stories or whatever. You post online to bring awareness of
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your music. Bring you post online, to promote. You post
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online so people get to know who you are, so
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you're not just some jerk who's putting music out there
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that they don't have any connection with. You. Promote so
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the people who do invest their time and money into
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your music know that you have new music coming out.
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The people who post to prove something usually flame out
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very quickly, he says. So, he says, why should I
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have to constantly prove myself online just because an algorithm says, so,
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what is up? Okay, we are going to create a
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counter the next video. We're gonna have a digital counter.
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For how many times an artist in twenty twenty six
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blames the algorithm for whatever. He says. If the music
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is good, shouldn't just travel on its own? No, because
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how people are gonna if you're not posting? And let's
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just say you created a few singles, you threw them
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out on Spotify. You did no heavy lifting at all.
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Like you're like, I created the song. I'm done. I'm
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gonna take a nap. How people gonna find out about it?
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There's over a hundred million songs on Apple Music. How
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are they going to find yours? Your plan? Because you
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don't want to do any of this because I don't
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like it is you hope people bump into it? He says,
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I get annoyed when people say you have to want
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it bad enough. You do have to want it bad enough.
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You have to sacrifice for what you want in life.
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If you don't sacrifice for what you want, what you
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want becomes a sacrifice. I don't care what that's with.
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I don't care if that's your health, your relationship, your music,
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you're nine to five, It doesn't matter. If you don't
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sacrifice for what you want, what you want becomes a sacrifice.
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This way it is, he says, I do want it.
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I don't think you do. He says, I just don't
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want to rearrange my entire life, personality, or schedule around it.
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Dear God Almighty, then why why? Then? Just Okay, here's
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the deal. There is nothing wrong if you just want
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to make music, throw it out there, and if five
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of your friends listen to it, you're happy and you
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move on with your life and you release another song.
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Nothing wrong with that at all. But you're telling me
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you want fame, you want money, you want all of this,
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but you're not gonna work for it. You're not gonna
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You're not going to change your life in the slightest
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bit for all that stuff you want. Who does this
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make sense to? And the problem is there's probably somebody
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in your life, or multiple people in your life, who go, yeah, yeah,
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good for you. This is this is this is ridiculous.
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He says. I don't want to wake up early to
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make content. I don't wake up early to make content.
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There's a whole like online thing of like you gotta
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get up early, you gotta make your bed, you gotta
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do all this stuff like before six am. Like that's crap.
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That's absolute crap. I got friends all the time. You
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want to go have breakfast, I'm like, yeah, I love
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to have breakfast with you. They're like, oh, yeah, you
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want to go at six thirty And I'm like, nope,
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I will see you at nine thirty, He says, I
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don't want to wake up early to make content. I
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don't most content most creative people are night OLPs. But
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there's that, he says. I don't want to spend nights
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replying to comments. So what are else are you doing
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at night? Oh? I gotta watch that new show on
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Netflix and binge it? He says. I don't want to
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grind for years just to maybe get noticed. Well, then
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you're not like then, just quit? Just quit now, he says. Honestly,
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I feel like someone should just hear my music, recognize
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the potential, and help me take it from there. How
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are they going to hear your music? How are if
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if you're not promoting to get your music in the
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ears of people so they can share it with their
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friends so it can kind of spread. And you're not
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creating content that drives people to your music so they
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can put it in their ears and hear it and
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then it can spread. How do you expect people to
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hear your music to help you? You got I mean, seriously, seriously,
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we have to label this and email from the laziest
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artist ever or the most entitled I'm not sure which one.
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Let's continue, he says, that's how it used to work, right. No, No,
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it didn't work like that. It never ever works like that.
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And here's why, because back in the day, you still
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had to play shows, and it didn't have to be
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good pain shows. It could have just been a show.
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And I mean we're talking like back in the day
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when he wanted the forties and fifties, when they're playing
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bowling alleys and sock ops to get discovered. I'm sure
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those shows didn't pay well. They probably didn't pay at all,
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he says. Someone gets he goes. That's how it used
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to work, right, Someone gets discovered, Things start moving and
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the boring stuff gets handled by other people. Right, But
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at some point in the beginning stages, you are personally
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responsible for that boring stuff. That's just how it goes.
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I actually asked my team are we being trolled here?
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And we this artist did include links. This artist has
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eighty monthly listeners, and we found the Instagram and there
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is there is. It is as low effort as low
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effort can get. And if you keep doing what you're doing,
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you're gonna keep getting what you're getting, which is nothing.
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You're getting no results at all. You have to you
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have to. You have to work the hardest in the
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beginning to get a team to take up that pressure
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for you to go and do the stuff that you
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don't want to do. I think every artist should strive
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for one day to be like, Okay, that one thing
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I did every single day. I hated that and I
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cannot wait to be successful. So I don't have to
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do that. Will you do that? No, you just don't
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want to do it now. I'm just not going to
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do it now. Piss off. I'm not doing it, he says.
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This whole email is like I don't want to. I
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don't want to. It's like talking to a child. He says.
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I also don't want to spend money or tour or
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move cities, or change my sound or collaborate unless it's convenient.
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I mean, I think here's what I think. I think
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you just had your heart broken and you're just letting
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it all out here on Uncle Matt. It's fine. I'm
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here for you, all right. I got big shoulders. I
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can hold you, I can hug you, you can cry,
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you can snop, bubble it up. Because if if this
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is truly who you are as an artist. For three
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hundred and sixty five days, year after year after year.
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My guy, you're never getting a team that you want.
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You're never gonna make money. You're never gonna make a dime,
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all right, Your eighty monthly listeners is where you will
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peek in life, he says. But I still want the outcome.
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So I guess my question is there a realistic way
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to succeed in music without doing all the extra stuff
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everyone keeps pushing. Absolutely not, unless you're like a hot
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woman and you have an of page and you got
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you know, three million simps who pay you monthly and
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then you can get them to listen to your music.
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There is no way, and that's not a good strategy anyways, people,
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But there is no way that you just sit on
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your butt, do nothing, refuse to do anything, let everybody
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know the stuff you don't want to do, and then
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sit around and wait for the checks to come in.
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There's there's absolutely no And you don't want to spend money,
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and you don't want a tour, and you don't want
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to collaborate, and you don't want a network. You want
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to just sit in your home, make music and cash checks.
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That's it. And you will make music when it's convenient
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because you're not gonna reply to comments at night. You're
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not gonna wake up early and do content. This is
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he says, Or is the industry just biased towards people
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who enjoy being busy and loud. No, the industry rewards
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people who make an effort, and if you make zero effort, none,
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you're gonna get no results. Just so you know, yikes,
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he says. I'm not trying to be negative. I don't
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think you're being negative. I think you're being an idiot.
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But he says, I just don't want to lie to
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myself about what I'm willing to do. Let me know
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what you think. I think I did a good enough job.
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Let you know what I think I think. If you
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were sitting across from me at a coffee table, I
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would tell you straight up. I think you're one of
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the most entitled and lazy artists I've ever seen in
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my life. I think you're going to get absolutely nowhere.
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I think you should be happy and grateful for the
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eighty monthly listeners you have and realize that that's probably
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numbers gonna that number is probably gonna dwindle in no time.
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You don't want to do anything you've made that abundantly clear.
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Now I will say this because I beat you up
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this entire email. I appreciate how honest you are because
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if I was still in an R and you came
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to my office with this attitude, at least I won't
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find out three months down the road. Yeah, because a
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lot of times, like sometimes you work with artists or
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you have a business dealer or whatever, and you're like, hey,
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I wish I would have known three months ago that
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you're crazy and I'm crazy, and our two types are
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crazy just don't collaborate well in this world. So we
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need to end this partnership, relationship whatever. You make sure
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that doesn't happen. And I do appreciate that because you
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would walk in, you would tell me all these things
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you're not going to do, and basically you're not doing
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anything besides making music. That's it. You probably even have
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a problem that you got to pay to release your music,
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God forbid. So I do appreciate that because I think
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